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Ishtar (1987, directed by Elaine May)Įlaine May’s most recent film as a director was such a colossal flop that its name became synonymous with bad movies. Lynch has practically disowned the film, but some images in Dune are as unforgettable as those in his best-regarded works. (Villeneuve has apparently addressed this issue in his version by covering only the first half of the book.) But the 1984 version also has bold and exciting design choices, a hypnotic score by Toto, and brassy performances by a wild ensemble that includes Kyle MacLachlan, Patrick Stewart, and Sting. Lynch’s failures are clear: He packed far too much material into one feature, struggled to match the broad scope of Herbert’s world building, and made sometimes baffling narrative leaps to abridge his plot. Universal / Everett Dune (1984, directed by David Lynch)īefore Denis Villeneuve’s adaptation of Frank Herbert’s classic sci-fi novel arrives in theaters this fall, David Lynch’s attempt at the material is worth revisiting, even though it was a critical and box-office calamity.
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The movie also takes some trenchant digs at TV advertising and emphasizes an odd and foreboding atmosphere over cheap shocks. Written and directed by Tommy Lee Wallace (a longtime collaborator of Halloween director John Carpenter), the film’s scares touch on ancient witchcraft and computer chips made out of Stonehenge fragments. Season of the Witch is a weird ’80s gem, a mix of folktale and high-tech horror about a company selling haunted children’s masks. Though its box-office underperformance led to Myers’s return in Halloween IV, this installment shouldn’t be overlooked. The movie was intended to turn the franchise into an anthology of sorts, an ambitious idea that unfortunately didn’t pan out.
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This entry in the never-ending Halloween horror series took a chance by not featuring the popular serial-killer antagonist Michael Myers, who had anchored previous films. Read: Halloween is a devoted homage to the unbeatable original Halloween III: Season of the Witch (1982, directed by Tommy Lee Wallace) Zemeckis later found the right balance in hits such as Who Framed Roger Rabbit, but his brilliant, high-speed style of storytelling is already on display here. The film was a flop on release, probably because its mix of bleak humor and Looney Tunes–style madcap action was too caustic for audiences. It also features a wonderful dual performance by Jack Warden, who plays both the kindly owner of one dealership and his evil archrival across town. Not long before he hit it big with the blockbusters Romancing the Stone and Back to the Future, Robert Zemeckis made this anarchic black comedy about the cutthroat world of used-car sales, starring Kurt Russell as a dealer trying to stay one step ahead of catastrophe. Used Cars (1980, directed by Robert Zemeckis) They were all unappreciated by critics or audiences on release and deserve a fresh look. The following 26 films cross every genre and range from art-house to blockbuster. So I’ve returned to a topic that sustained me during 2020’s most isolated moments: celebrating underrated and unique movies in need of wider appreciation. But this is also a time of extraordinary at-home accessibility for cinema, with many thousands of titles available to stream, or digitally rent and buy, every day. With pandemic fears still circulating, and many studios still delaying their films’ release dates, not everyone is comfortable going back to theaters yet.
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Moviegoing is at a strange, tenuous moment.
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